the paradise lost
amid the whisper of the silent
and the darkness of a frightening guise
between immovable trunks
and poisonous herbs.
they were born not knowing greatness,
blooming through the darkness gloom.
we are all going to die,
so we need to learn
in this life how to let go!
in the fucking end
we all die alone.
what is the purpose of human existence
when the darkness is the sense of the life?
as far as we can discern there is nothing left.
supported by 9 fans who also own “assimilator (ft. chris seven)”
Intense and interesting. Clearly worshipping at the altar of Meshuggah, and while vocals are absent that void is filled by a more intense bottom end, and guitar picking that becomes its own rhythmic instrument.
This is brilliant, but I’d love to see what this guy would do with some artistic collaboration. One man bands can get stuck in one dimension and the potential shown here could be a global phenomenon with just a little tweaking.
Let me finish by saying again, this is brilliant. Lute FP
supported by 7 fans who also own “assimilator (ft. chris seven)”
When your instrumental metal's chug chugga chug chugs arent heavy enough, here comes Fractalize with an amazing style of music that i can only describe as rhytmic earthquakes. More like chug. chak-chak. chug chugaa CHOOM Chak CHOOM.
Each song is an intense conflict taking place deep underground in the darkest, dankest cave, with interesting progression of one musical idea to another. iheartf2p
Midwestern prog-metal stalwarts go for the throat on their new EP, featuring a roiling cover of the Smashing Pumpkins' “1979.” Bandcamp New & Notable Aug 7, 2019
Irish doom-dealers leave behind a sludgy trail of destruction across a strong eight-track debut; Bolt Thrower vocalist Karl Willetts guests. Bandcamp New & Notable May 9, 2024
supported by 6 fans who also own “assimilator (ft. chris seven)”
A unique and massive sound across the whole release from both the tones and the composition. A mate heard this from end to end only once over a bbq and recalled the name straight away when he heard your work again months later. The grinding low end is absolutely visceral and combined with the long rests and displacement/syncopation, this can get you into that head-nodding zone you just can't seem to break out of. Thanks for sharing this music! mickymcd